In terms of performance data, the A44H and the A7V are very close to each other. However, the A44H offers a very interesting housing variant: with its horizontal driver arrangement and a width of exactly 19 inches, the A44H can be placed perfectly on a studio rack as well as above or below a monitor or screen. This design is also ideal for use as a centre speaker in a 5.1, 7.1 or 3D monitor configuration. Two 4-inch long-throw woofers and an X-ART tweeter enable a wide frequency range. The DSP functions offer individual sound customisation options.
Active 2-way studio nearfield loudspeaker with two passive radiators:Shape 65 is the reference loudspeaker in the Shape series. Although it is designed for near-field monitoring, this monitor speaker offers unrivalled monitoring qualities across the entire frequency range. This monitor develops its full potential at monitoring positions of one metre and is simply a must in modern (home) studios.
Set the Scene:The DM-50D-BT speakers deliver a balanced, powerful bass sound and are equipped with plenty of power reserves thanks to Class D amplifiers and 5-inch woofers. Press the switch to switch from DJ mode to production mode and the DSP settings are automatically adjusted to achieve the best sound for each application.2 sound modes - optimised for DJ-ing and music production:You don't have to decide whether you want a monitor set that's best for DJing or for making music and producing: the DM-50D speakers are perfect for both. Simply flip the switch to select either DJ mode or production mode and the DSP settings will be optimised for the task, allowing you to focus on what's at hand.Easy to combine with various DJ or production equipment:With RCA, mini jack and the now additional jack inputs, you can connect different types of equipment such as DJ controllers and mixers, the laptop or the sound card you're using. You can easily and conveniently connect your headphones via the socket on the front of the DM-50D, and the volume control is also located there so that you can quickly adjust the level at any time.Bluetooth® integrated:The Bluetooth® technology included in the DM-50D-BT and DM-40D-BT models allows you to easily pair your smartphone, mobile device or PC/Mac and play your tracks wirelessly in high quality.
ARC Studio is a standalone room correction solution for stereo monitoring systems, It combines a hardware processor, the ARC 4 software and a precise MEMS Measurement microphone. The completely new algorithm corrects unfavourable acoustic conditions that could otherwise lead to an incorrect mix.The system thus enables a natural and transparent sound that guarantees reproducible results.The quality of the monitoring path is crucial. ARC Studio offers a dynamic range of 120 dB(A) between analogue input and output, a frequency response of 0.5Hz to 40kHz and ultra-stable clocking for infinitesimally low jitter. This ensures sonic transparency and accuracy that can only be found in professional audio interfaces and mastering-grade audio converters Mastering-grade audio converters.The connection to studio monitors is made via balanced XLR connectors, which are equipped with relay-based hard bypass to prevent unwanted background noise.
The most striking feature of the FX series is the coaxially integrated tweeter, which is not - as is often the case - a horn, but a dome tweeter. And the computer-calculated housing shape not only looks extremely cool, but also significantly optimises the dispersion characteristics of the FX80.Coaxial driverIn the centre of the 8" woofer is a 1.2" silk dome tweeter. The unique design in this price segment creates a point sound source - in principle without disturbing phase deviations or overlapping of the individual drivers. The frequency response of the FX80 ranges from 35 Hz to 22 kHzDIP switch for boundary compensationIn many (home) studios, space is at a premium, which can have an unfavourable effect on the acoustics. The FX80 is therefore equipped with EQ switches that can be used to control the influence of acoustically difficult rooms as well as the resonances of a wall directly behind the speakers. Users will find important information about the function of the DIP switches on the rear panel, and their function is described in detail in the operating instructions.Class D and DSP-controlledThe "Class D" power amplifier of the FX80 always delivers a clean and constant performance and sufficient headroom. The integrated high-performance DSP takes care of the digitally controlled crossover, resulting in extremely consistent sound reproduction. This makes the FX series reference monitors the perfect solution for demanding home and professional recording studios.LED display on the front baffleThe LED on the front panel not only provides information about the on/off/bypass status of the FX monitor, but also helps with the precise alignment of the speakers at ear level.Front slot port designThe bass reflex port maximises the bass efficiency of the speaker. The front arrangement not only provides a more direct radiation of the bass energy to the listener, but also allows the monitor to be set up close to the wall, which makes it much more flexible when it comes to placement options in the studio.Optimised tweeter protectionThe coaxial design with the tweeter mounted in the centre in front of the woofer makes the FX80 extremely robust. The woofer is therefore already equipped with a "protective shield". However, as the tweeter also needs to be protected, it has a small perforated grille in front of the sensitive silk cone.Imaging and bass responseHigh-quality drivers in a solid housing form the basis for transparent reference monitors, but only extensive listening tests and meticulous calibration of the crossover make this monitor a reliable working tool with absolutely precise bass response - and therefore a genuine Fluid Audio speaker. A mix created on the FX80 will never disappoint on other audio systems.
The D3V is a fully active desktop monitor system designed for composers, producers and music lovers who want to enjoy ADAM Audio's sound quality as comfortably as possible. Available in white or black, the active monitors feature the legendary gold-coloured ribbon tweeter and remain true to ADAM Audio's established German industrial design.Each pair of active speakers features 3.5-inch aluminium bass-midrange drivers and a ferrite magnet system powered by 80-watt amplifiers. The bass-midrange drivers are complemented by double-sided 3.5-inch passive radiators, giving the D3V an extended frequency response down to 45 Hz.With 25 years of experience in the design and manufacture of ribbon tweeters, ADAM Audio has designed the compact 1.5-inch D-ART (Desktop Accelerated Ribbon Tweeter). It enables the precise, unagitated high-frequency reproduction for which the manufacturer's established monitors are known.The D3V has a USB-C input. Accordingly, the monitor system behaves like a digital output device when connected to a computer and does not require an additional audio interface for playback. This plug-and-play functionality also extends to mobile devices, so that high-quality sound reproduction can be enjoyed without the data compression or conversion typically associated with such connections. The D3V also features balanced 6.35 mm TRS inputs for conventional analogue audio applications.The rear of the left speaker has a series of user-friendly switches to solve the typical acoustic problems associated with speaker placement. The front panel also features a headphone jack and a volume control that simultaneously controls audio input selection, muting and other functions.The D3V comes complete with detachable monitor stands, which are inclined at an angle of 15° towards the user's ears. In addition, there is a standardised 3/8" thread on the underside of both monitors for mounting on microphone stands.Fully active 3.5-inch aluminium bass/midrange driver with ferrite magnet systemOptimised via ADAM Audio's state-of-the-art Klippel measurement system, the extremely symmetrical voice coils and ferrite magnets help to minimise unwanted distortion and provide a linear drive to the bass-midrange drivers. Each one-piece concave cone is made of ribbed, thick aluminium with a long linear excursion that delivers uncoloured sound even at surprisingly high output levels.The D3V is a fully active design with four amplifier channels and DSP-controlled crossover. The bass-midrange drivers are powered by 80-watt amplifiers, with the link connection cable transmitting an amplified signal to the right speaker.D-ART tweeterA quarter of a century of research and development into ribbon tweeters has led to the development of ADAM Audio's powerful 1.5" Desktop Accelerated Ribbon Tweeter. Each diaphragm is hand-folded and bonded to 40W amplifiers that drive each unit. Like all other ADAM Audio tweeters, the D-ART features a fine-tuned crossover managed by a high-precision signal processor.Passive radiatorThe D3V utilises double-sided passive radiators in each speaker, a total of four per system. Each passive radiator consists of a stainless steel plate as the moving mass and a specially stabilised long excursion rubber surround as the suspension. Together they amplify the lowest frequencies of the loudspeaker through their interaction with the main bass-midrange drivers and thus contribute to an increase in the sound pressure level of the overall system.USB-C direct inputThe D3V is ADAM Audio's most convenient monitor system to date, as it features a plug-and-play USB-C input. The speakers behave like a digital output device when connected to a computer, mobile phone or tablet, eliminating the need for an additional audio interface. This direct digital connection enables high-quality audio playback without the data compression or additional conversion typically associated with desktop monitors.DSP room acousticsThere are three switches on the rear panel of the left speaker to counteract the typical acoustic problems resulting from speaker placement. "POSITION" refers to the fixed position of the speaker in the room. "DESK" refers to the size of the desk in front of the speaker, while "ROOM" refers to the degree of acoustic damping in the room in which the system is used.Balanced analogue inputsIn addition to the USB-C input, the D3V has analogue inputs for conventional audio applications. It enables balanced connections to audio interfaces as well as direct connections to a wide range of hardware, including synthesisers, drum machines, samplers and DJ mixing consoles. The USB-C connection or the balanced analogue inputs can be selected by pressing the volume control on the left speaker.Headphone output, monitor stand and mounting optionsFunctionality and convenience played a major role in the design of the D3V. The headphone output on the front automatically takes over audio playback when connected. Monitor stands angled at 15° are also included. In addition, there is a standardised 3/8" thread on the underside of both monitors for mounting on microphone stands.Injection moulded housingThe housing of the D3V is made of high-quality ABS injection-moulded polycarbonate with thick walls and ample bracing to prevent vibrations and unwanted resonances. The rounded shape reduces unwanted sound diffraction at high frequencies while honouring ADAM Audio's long-established industrial design.
The T7V is a nearfield studio monitor and is designed as a vertically orientated 2-way system. The T7V has a 7" woofer that enables bass reproduction down to 39 Hz, while the cone of the U-ART tweeter offers an unadulterated and extended high frequency range of up to 25 kHz. The U-ART tweeter is fitted with a precision waveguide that has the same excellent dispersion characteristics as the High Frequency Propagation (HPS) waveguide used in the S-Series studio monitors. The very even reproduction of the high frequencies by the waveguide ensures an incredibly wide sweet spot, which saves you from having to remain in a fixed position while working.The metal rear panel of the T7V houses the bass reflex port as well as numerous controls and analogue connections. The U-ART tweeter is powered by a 20 W amplifier, while a 50 W amplifier drives the woofer. This powerhouse in a slim cabinet delivers an impressive maximum sound pressure level of 110 dB SPL per pair.The T7V's wide frequency response, wide dynamic range, excellent transient response, wide sweet spot and small footprint make it ideal for use in small control rooms for music production, video post-production and broadcast - an interesting option for the limited budgets that many facilities have to work with.The ADAM Sub8 subwoofer is the perfect complement to the T7V to extend the possibilities of low frequency monitoring.
Active 2-way studio nearfield loudspeaker with two passive radiators:Shape 65 is the reference loudspeaker in the Shape series. Although it is designed for near-field monitoring, this monitor speaker offers unrivalled monitoring qualities across the entire frequency range. This monitor develops its full potential at monitoring positions of one metre and is simply a must in modern (home) studios.
The Genelec 8020D is a professional compact nearfield monitor. It delivers an analytical sound image without colouration for fatigue-free monitoring and objective mixing. With its small dimensions, it is suitable for small studios, post-production, broadcast and mobile applications. Protective grilles in front of the drivers simplify transport.The stable and low-resonance housing of this RAW version is made of untreated aluminium and is particularly environmentally friendly to manufacture as it is not painted. Rounded cabinet edges and the optimised sound guide ensure balanced dispersion, very good spatial imaging and a wide listening zone. The stereo image is precise and stable. Despite the small size, there is a long bass reflex channel. It enables precise and deep bass reproduction. The frequency range can be extended down to 30 Hz with the matching 7040 subwoofer.Switchable filters allow the speaker to be customised to the installation location and room acoustics. The IsoPod stand decouples the monitor from the floor and allows it to be aligned to the listening position. Threaded holes and suitable accessories facilitate wall or ceiling mounting.
In recent years, the audio industry has produced a large number of new, high-quality multi-channel audio formats, which place considerably higher demands on the professional production environment in the studio. The Blu-ray format, for example, makes it possible to store an increased number of discrete audio channels with high resolution (7.1). To meet these requirements, Neumann has created a 7.1 High Definition Bass Manager with the newly developed electronics of the KH 810, which fulfils all studio requirements from mono to the latest 7.1 HD formats. With eight analogue input channels, flexible connection is guaranteed in the modern studio environment. Four switchable LFE modes guarantee compatibility with all formats and industry standards. Extensive acoustic adaptation options and a frequency separation of 24 dB/oct allow optimum integration into the existing studio acoustics. The built-in 8-channel volume control in conjunction with the optionally available wired remote control can be used to realise source-independent central system control. The electronics of the KH 810 can be detached in order to adapt the cabling flexibly. The latest amplifier technology and extensive research and optimisation of the speaker chassis used have resulted in the highest degree of bass precision and sound neutrality. The low-resonance cabinet and the flow-optimised bass reflex channels ensure dry and extremely low-distortion bass reproduction down to 18 Hz, even at high levels. Multisubwoofer systems can easily be set up using the sum output of the electronics. This allows speaker arrangements such as Plane Wave Bass Arrays TM (PWBA) to be implemented, which dramatically improve the lateral mode behaviour in the listening room via cylindrical wave generation. The KH 810 was developed as an extension of our extensive range of studio monitors. It can be used alone or in combination with several subwoofers to realise large systems with very high maximum level requirements. The KH 810 is therefore the ideal low-frequency extension for music, broadcasting and post-production for use in tracking, mixing and mastering. It can preferably be positioned close to the wall or, thanks to the bass reflex ports on the front, in the wall and can be freely combined with all our monitors in multi-channel systems.
The HS series has become the standard for studio monitors and has been trusted by the best sound engineers, producers and artists for many years. Now Yamaha has redefined its essence in a compact package. HS3 and HS4 are powerful tools for creating a wide range of audio content and fulfil the expectations of creatives who have limited space and need to keep the volume down, but don't want to compromise on monitoring quality.
Due to its size, the SC208 can handle a wide range of low frequencies. The robust, glass fibre-coated 8" SilverCone chassis with a stable honeycomb structure is driven by a 1.5" voice coil. As a result, low frequencies from 36 Hz are reproduced powerfully and dynamically. All EVE Audio studio monitors are equipped with high-resolution DSP electronics. A rasterised encoder potentiometer with LED ring on the front of the loudspeaker enables precise adjustment of the volume and the various filters for customised adaptation to your workplace.
Description:An unadulterated reproduction of the recorded material is absolutely essential for sound engineers. This is exactly why Drawmer developed the MC2.1 monitor controller. The Drawmer MC2.1 Monitor Controller combines the clarity, quality and transparency of an extremely high-quality monitoring circuit with a multitude of practical monitoring functions. In addition to its versatility and intuitive operation, the Drawmer MC2.1 is characterised above all by its absolutely precise and unadulterated reproduction of the recorded material.The MC2.1 has four inputs, three balanced stereo speaker outputs and an additional mono output for an additional speaker/subwoofer. The left-right balance can be precisely adjusted for each output channel using a separate trim control on the underside. The active circuit design ensures faithful signal reproduction and avoids many of the familiar problems of passive circuit concepts. The MC2.1 is the perfect tool for every sound engineer thanks to a variety of rarely encountered monitoring functions such as a separate level reduction for the left/right channel, two separate headphone amplifiers or the integrated talkback microphoneWhether you are mastering CDs/DVDs, recording in the studio, levelling and equalising mixes, making A/B comparisons and much more... You've probably spent weeks planning the perfect working environment and invested a fortune in active monitors, dynamic processors, various microphone/preamp combinations and other equipment. A monitor controller is a central component of every studio and probably the most important link in the signal chain. This is because this is where the monitoring signal is received, which serves as a reference for optimum microphone positioning, mix control and EQ settings. This makes it all the more important to be able to rely on the signal fidelity of your monitor controller at all times.
While originally inspired by the 5C sound cubes of decades ago, the Avantone MixCubes have become the industry standard in studios worldwide and the number one selling speaker of its kindTechnical objective:The Avantone Active Mixcubes are designed as high-resolution, fully functional mini reference monitors for stationary or mobile use. The secondary technical objective was to create a timeless design that incorporates a single full-range transducer.Cabinet design:The original 5C Sound Cubes were made from 1/2" chipboard covered with a glued-on wood grain chlorobromide silver paper. We opted for a thicker, denser MDF board because of its greater strength and lower resonance behaviour.Driver design:The originals were a simple 5" frame design. We designed a 5.25" die-cast aluminium driver/cone assembly to exceed the performance of the originals. The driver's top plate and T-yoke are made from Sumitomo 1008 low carbon steel.Amplifier design:We designed the amplifier module from the ground up as a true professional amplifier.
The Monkey Banana Gibbon 5 is an active nearfield monitor for the ambitious home studio or for editing suites in broadcast studios. With the digital biamp-powered speaker, you get perfect mixes in small monitoring environments.The small Gibbon 5 is extremely versatile when it comes to near-field monitoring. A 5.25" polypropylene woofer is used for the bass range and a 1" silk tweeter. The amplifier output of the biamp module is 45 watts for the bass range and 35 watts for the treble range.
COMPACT REFERENCE LOUDSPEAKER WITH BEST SOURCE FIDELITYThe versatile reference monitor has received a comprehensive upgrade with the new MSP3A, including a twisted flare port for even more precise bass reproduction. The MSP3A thus offers optimised source fidelity and comes with all the flexibility already familiar from its predecessor. This makes it the first choice for a wide range of monitoring applications such as smaller studios, post-production environments, monitoring of electronic instruments or surround applications.
The SC205 has a 5" SilverCone chassis with a stable honeycomb structure that works with a 1" voice coil. In combination with the entire system, this ensures a large linear excursion of the glass fibre reinforced cone. Measured against the size of the loudspeaker, this chassis design achieves unrivalled dynamics. In addition to unrivalled transparency, the SC205 also surprises with powerful and precise reproduction of low frequencies. The mounting thread embedded in the base plate allows the SC205 to be mounted on standard microphone or speaker stands and the mounting options on the rear allow wall mounting.
The PreSonus Monitor Station V2 is the ideal switching and communication unit for computer-based studios that still lack the central master section of a professional sound control room. Comparisons with reference mixes, precise judgement via various monitoring systems and relaxed communication with the musicians via a professional talkback unit are essential for a successful day in the studio - and can be easily accomplished with the compact Monitor Station V2. Thanks to the high-quality components, not only the monitoring sound but also the headphone sound for participating musicians is first-class. Incidentally, all the large buttons have integrated status lighting so that the sound engineer is always in the picture.In addition to the main volume control, the Monitor Station V2 offers a wealth of switching, control and routing options. It can be supplied with different stereo signals - e.g. the main mix and a playback mix - via two pairs of balanced jack sockets. The third aux input has a dual design: as an RCA pair for typical line sources and as a 3.5 mm stereo jack, the latter being ideal for conveniently using tablets or smartphones as playback devices, for example. The RCA and mini jack inputs can even both be used and their signals are summed internally. The S/PDIF input is located above the mini jack input. This can be connected to the digital output of a CD player, for example.To control the main bus signal, the Monitor Station V2 has a 2x 8-segment LED level indicator, which can also be calibrated to -10 dB, +4 dB or +10 dB. Three pairs of studio monitors or two pairs plus subwoofers can be connected at the rear, and their levels can be precisely adjusted using three small trim pots. The highlight: The three speaker selection buttons can be assigned different switching modes. In preset mode, they work independently of each other, so the sum signal can be output via all three connections simultaneously: e.g. to the control room monitor, the subwoofer and another pair of monitors in the recording room or studio foyer.In the second mode (toggle), only one pair of monitors can be selected at a time - this corresponds to the classic control room set-up with, for example, miniature speakers, nearfield monitors and main monitors.In the third mode (Toggle A/B), selector buttons A and B are mutually cancelling - so they can be assigned to two alternative monitor pairs. Button C, on the other hand, works independently, e.g. to switch a subwoofer on or off individually or, as in the first mode, to activate an external pair. Finally, the mono, mute and dim buttons (the latter with adjustable attenuation) are indispensable aids for recording and mixing.The three source selection buttons ST1, ST2 and Aux are duplicated. This means that different signals can be assigned to both the main bus and the cue bus. These buttons also have two programmable switching modes. By default, they function additively, i.e. the three stereo sources can be summed as required, while the aux source can be continuously adjusted using a potentiometer (the latter could be a click track for the headphone path, for example). If you select the second mode, only one source can be activated for the main and cue bus, so the buttons function as toggle switches. The four powerful headphone outputs each have separate volume controls and a button that can be used to route either the main or cue signal to the relevant headphone path.The talkback section of the Monitor Station enables easy communication with musicians in the recording room. When the Talkback button is pressed, the built-in electret condenser microphone is activated, its adjustable signal is routed to the cue bus and the loudspeaker output is automatically reduced by 20 dB. If required, an external (dynamic) talkback microphone can also be used by connecting it to the XLR socket at the rear.In addition to the speaker outputs, the Monitor Station has two further pairs of balanced jack outputs: The headphone signal can be transmitted to an external headphone amplifier via this Cue Out and the sum tapped before the main volume control is available at the Main Out, e.g. to supply a master recorder.
Height-adjustable monitor stand with table clamp for near-field monitors:The solid metal construction with the large support plate (230 x 250 mm) is suitable for a wide range of monitors and other devices of this size. The plate is infinitely tiltable up to 12.5° and can be moved to optimise the centre of gravity. A stop bar ensures the necessary safety and prevents the monitor from slipping. The practical table clamp enables attachment to table tops with a thickness of 10 to 52 mm. The height can be individually adjusted in 4 steps between 335 and 435 mm. In terms of load capacity, a centric load of up to 25 kg is possible. The support plate can be rotated through 180° for perfect alignment. The scope of delivery includes rubber pads for secure, noise-insulating support of the monitors.
Genelec 8320APM - Active studio monitor with DSP filtersThe Genelec 8320APM from the SAM series offers professional audio quality and adapts perfectly to any listening environment thanks to its DSP technology. It significantly improves listening conditions, especially in small, acoustically difficult rooms.Thanks to the GLM software, automatic calibration and control with up to 16 parametric and 4 shelving filters minimise room influences and linearise the sound image. This guarantees high resolution and transparency for relaxed, analytical listening.The sturdy die-cast aluminium housing with rounded edges ensures optimised dispersion, precise localisation and deep bass - despite its compact dimensions. Two Class D power amplifiers with 50 watts each deliver powerful sound.Matching subwoofers such as the Genelec 7350 or 7360 extend the frequency range and are the perfect addition for even more depth and punch.Honest sound without much effortAutomatic calibration is carried out using the special GLM software. With up to 16 fully parametric and 4 shelving filters, the distorting influences of unfavourable room criteria can be greatly improved. A more linear, transparent sound image and a more relaxed listening experience can be achieved with simple means thanks to the clever DSP technology.Robust construction and plenty of powerTwo Class D power amplifiers with 50 watts each drive the woofers and tweeters built into a sturdy die-cast aluminium housing. Despite its compact dimensions, the speaker delivers amazingly differentiated bass via the bass reflex channel. The Iso-Pod stands supplied guarantee excellent decoupling of the speakers and allow the monitors to be individually angled to the listening position.
The T10S is a powerful yet compact 10-inch active subwoofer designed to extend the bass response of nearfield monitors. At the same time, the subwoofer's performance, features and connectivity are specifically matched to ADAM Audio's T5V and T7V studio monitors.Equipped with a down-firing 10˝ woofer and a superior 130 watt Class D amplifier, the T10Soffers a frequency response of 28 Hz to 120 Hz and an impressive maximum sound level of 104 dB SPL. An adjustable low-pass filter can be used to adapt the bass signal to the monitors in order to get the best out of the overall system. Further adjustment options on the rear of the subwoofer allow it to be adapted to the room acoustics or the satellite speakers.Visually, the T10S follows the clear lines of the T series and its dimensions make it one of the most compact subwoofers in its class. This makes it easy to integrate into any studio environment. The acoustic performance has been optimised by means of four decoupling rubber feet and a generously dimensioned bass reflex port.
The Genelec 7360 is an active subwoofer from the SAM series (Smart Active Monitor). SAM means that the subwoofer can adapt to the room acoustics. This is done via a measuring microphone at the listening position and the GLM software (Genelec Loudspeaker Manager). 20 DSP filters are available, which can also be edited manually. Disturbing room influences are significantly reduced and you achieve precise low bass reproduction. Stereo and surround setups are easy to set up and control, and the bass management function allows the subwoofer to automatically take over all frequencies below the specified crossover frequency. This reduces the load on the connected speakers. You achieve a better resolution and a higher loudness of the entire system.The Genelec 7360 offers analogue inputs for surround setups up to 7.1. An AES/EBU input is available for 2.1 setups. The 9301 multichannel interface also enables setups up to 7.1 via AES/EBU.A long, aerodynamically optimised reflex tunnel is integrated into the compact housing. Manufactured in LSE design (Laminar Spiral Enclosure), it enables high levels at the lower end of the transmission range. Naturally without disturbing flow noise or distortion.
The Alpha Twin Evo has a 1" (25mm) aluminium tweeter and two 6.5" (16.5cm) woofers with a slate fibre cone, which are developed and manufactured in Focal's workshops in France. This monitor is characterised by excellent dynamics and a neutral sound balance. Thanks to new technologies and features, the Alpha Twin Evo is extremely versatile. Alpha Twin Evo is perfect for producers who want both high sound pressure levels and precise low frequency reproduction.
The T8V is a professional studio monitor with an 8" bass/midrange driver and an excellent price/performance ratio. This 2-way system relies on the proven technology, features and build quality of its smaller siblings T5V and T7V and offers the best sound characteristics and ample power reserves in its class.The T8V impresses with features with real added value for the user: the wide dynamic range of the new Class D amplifiers and the 4:1 speed ratio of the U-ART tweeter result in a maximum peak sound pressure level of 118 dB per pair. The dispersion characteristics of the U-ART tweeter, which plays up to 25 kHz, are optimised by the HPS waveguide. This makes it possible to work in a wider usable "sweet spot". With a bass response of up to 33 Hz, the T8V is particularly suitable for users who primarily produce bass-heavy music.The T8V is the perfect studio loudspeaker for anyone who has always wanted to work with an 8" monitor from ADAM Audio but has not yet had sufficient budget.
The Sub12 is a powerful active subwoofer that extends the playback range of nearfield and midfield monitors down to 22 Hz.A robust special woofer with a large excursion and a heavy-duty voice coil has been optimised for precise reproduction in a bass reflex enclosure. The downward-firing bass reflex tube avoids disturbing wind noise thanks to its generous dimensions and shape. The PWM amplifier achieves an efficiency of over 90%, so that even critical passages can be completed over long periods without overheating. An additional output allows any number of subwoofers to be cascaded.For medium-sized and larger control rooms, this subwoofer offers an excellent combination of low cut-off frequency (-3 dB at 22 Hz) and high undistorted sound pressure (115 dB SPL at 1m).
Compact 2-way active monitor with 70W + 30W amplification, 101 dB SPL, magnetically shielded, high impulse fidelity and resolution thanks to 100% analogue technology, patented AOI circuit (adaptive output impedance) and CPR system (active phase correction of the frequency paths), manual calibration of all PSI speakers in an anechoic chamber, areas of application: Control monitor, desktop recording, surround, editing suite (audio/video), OB van.